I’ve believed the following statement for more than a decade, but for some reason, I don’t think I’ve ever written about it. I’ll preface the idea with these two truths:
I love music, all kinds.
This is neither a slam for rap or country music, just an observation.
OK, are you ready? Well first, if you have time, and let’s face it, we ALL have time #coronavirus …check out a brand new rap video that’s already nearing a million views, followed by a country music video with over 1.5 million views…
So after watching these music videos, do you agree or disagree with this thought:
Country music is about who we (the listeners) are, from artists that would like us to believe they’re just like us.
Rap music is about who they (the artists) are, from artists that would like us to believe they’re not just like us.
To expand on that a little, I believe most of country music (of course, there are exceptions) is driven by lyrics that show the commonalities we have as humans. The singer is saying, I am just like you. It’s why the cliches of singing about a dying dog, divorce, or drinking beers even exists. You can have someone like Luke Bryan who has a net worth of $140,000,000 singing about relaxing or partying on a beach like those of us with a net worth of <$140,000,000 like to do. In reality, Luke’s lifestyle is a lot different than the common person, yet he wants us to think he’s just like us.
In rap music (and just like country music, there are exceptions to this), the lyrics are driven by fame and fortune, to put it simply. Just using the “You Know You Lit” video from earlier in this post, the line “Balenciaga, got like 10 pairs,” shows the difference in perspective. I had to look it up, Balenciaga shoes make the Air Jordan 11 Retro’s look like a bargain. Hundreds of dollars for one pair! There are many other rap songs that ultimate say, You want to be like me. Whatever the net worth of these artists are, they want you to believe they wipe their buts with hundred dollar bills. In other words, envy them because they have what we all want.
I’m guessing reality is bit less glamorous than these rap artists want us to believe, and perhaps for the country artist, more glamorous than we know. What are your thoughts about this? If you have insight or opinions, share in the comments below! Until then… Gucci, Gucci, Gucci!
I can’t say whether the tides are changing in country music but if you use the recent CMA Awards as any sort of example of what country music is like today, you may notice who wasn’t there.
Remember back in the early to mid-2010s when “bro-country” became a thing? Artists like Florida Georgia Line, Jason Aldean, Luke Bryan, and others all had hit songs that were somewhat generic and formulaic with lyrics about drinking or dancing girls or backroad parties. Obviously there was success in that subject matter, but there was also a lot of pushback from traditional country music fans and well-known country artists.
Fast forward to 2019, the 53rd annual CMA Awards airing on ABC and featured no, not bro-country, but a heavy dosage of bra-country. The women of country music! Get it? Bra… women… women wear bras? It’s just a little diversion from bro-country to remind us all that bra-country is great! The CMA Awards was hosted by the amazing trio of Dolly Parton, Reba McEntire, and Carrie Underwood and if you didn’t get a chance to see the fantastic opening number, here it is.
I’m sure fans were happy to hear and see a lot of more traditional country being showcased, celebrating legendary women in country music, and not hearing the likes of Florida Georgia Line, Luke Bryan, and Jason Aldean… none of whom were in attendance.
If you want to read a full recap of the show performances click here.
Concerning those CMAs, I was really only surprised by a couple things…
Garth Brooks winning Entertainer of the Year. Grady Smith says it best here…
Actually, that’s it. I was surprise by one thing. Garth. Over Eric Church and Carrie Underwood. Come on! Like Grady is, I’m also a fan of Garth Brooks, but it definitely seemed like he just swooped in and took the award away from others who genuinely deserved it.
I also don’t like Kacey Musgraves, there, I said it. But she’s a big part of the bra-country movement and if the future of country music is how the CMAs looked this year… I’m back in! I love most of the women featured on the show, plus I love Eric Church, Little Big Town, Miranda Lambert (I almost dated her, you know), Dierks Bentley, and plenty of others.
It’s Luke Bryan, so pretty much no matter what the video looks like, fans are going to be gushing over it. And it’s true for his latest video featuring the song, “Strip It Down.” Although from some fan comments online, they seem to be gushing over the Chevy truck just as much as the singer.
The 2015 Chevy Silverado Crew Cab retails around $60,000. The model in the video might be a 2014, but based on the headlights, let’s go with 2015. The Bentley? It’s a model called The Mulsanne Speed (guessing it’s a 2015 based on the rims), and it’ll set you back approximately $300,000. The gap in retail value between the two begs the question, “Why would a guy risk lending out his Bentley for a Chevy?” Well, this is where it gets juicy. What appears like a simple switch-a-too for cute dates with their wives, is actually a carefully planned out swinger swap! The first piece of evidence is right there in the video when the guys have this short exchange.
City guy: “Go easy on her, alright?”
Country guy: “Don’t scratch her!” with a smirk.
Hello!!!!!! Obviously a subtle nod to swingers everywhere. But we still don’t know why city guy would agree to let his Bentley go for a night. Duh! Country wife is hotter. But city guy is about to pay dearly. What he didn’t know is country guy has a cousin who runs an illegal chop shop over by the Piggly Wiggly. Country guy and country wife planned this out for months while they were out riding their John Deere’s for hours and hours. Think about it, why do you think the song is called “strip it down”? They’re selling the Bentley for parts. How else will they pay for their FanDuel addiction?
9:26 Jason isn’t the first to perform with a rapper. Recall Tim McGraw and Nelly. Anyway, Jason rapped the first verse.
9:24 Kid Rock introduces Jason Aldean and Ludacris… performing “Dirt Road Anthem.”
9:24 are those the numbers from ‘Lost’ on her arm?
9:23 and the buckle goes to… Taylor Swift…. who’s in Milwaukee???????
9:22 Kid Rock and his tall trucker hat replay the Video of the Year nominees.
9:20 fill in the blank at home… the performance will be [awesome/good/ok/not good/terrible/oh my goodness].
9:16 commercial break and another mention of Jason Aldean performing with Ludacris. Will that be a show stopper? My guess is they’re going to sing “Dirt Road Anthem” because the verses are more ‘rappy’ than a country song. Those parts, I can only assume, will go to Ludacris. Jason will sing the choruses.
9:15 Blake is on the set of “The Voice” in L.A. and gives his acceptance speech. He thanks so many people, and the fans.
9:14 and the buckle goes to… Blake Shelton. Good year for him. He’s not there either, surprise surprise.
9:12 after a major fall (see pictures above), Shania gathers herself and walks on stage. She’s introducing Male Video of the Year.
9:12 Kid Rock is bantering about the next artist up, and some girl throws her panties on stage. I assume it was a girl. He introduces Shania Twain.
9:11 Charles Kelley starts the process to a long and drawn out lawsuit by throwing his sticks into the crowd.
9:10 no time to think about that as Charles Kelley takes to the drums. They perform “Kiss” by Prince. you know… “you don’t have to be rich to be my girl…”
9:09 wait, isn’t this the same group that sang “Need You Now”? Wasn’t that about a late night booty call?
9:07 they introduce Lady Antebellum who will perform “Just A Kiss.” Listen to to the lyrics, finally a song about living with morals!
9:06 Sara Evans and Sheryl Crow are on the stage now.
9:01 at this point I rather see a commercial about cicadas than the Huggies denim diaper one, or the annoying Bing Facebook commercial. Once is enough, bro’s!
9:00 performance finishes. On the Nationwide stage, Lee Brice takes us to another commercial break.
8:58 I heard he wrote this whilst sitting under an oak tree in Centennial Park. I think the third verse mentions cicadas.
8:56 Little Big Town introduces Keith Urban who is performing “Long Hot Summer.” He must live in Nashville.
8:52 Fructis… it’s kinda like ‘frook-teece’. Actually, that’s exactly how to say it. They make shampoo and other stuff you’ll find in the hygiene section of Wal-Mart. Ok, next word to learn is ‘hygiene’… practice on your own, I think you can do it!
8:51 during this commercial break, I’ll teach you how to say Garnier Fructis. First, start with Garnier. Say ‘car’ but with a g and not a c. Next, ‘n’ and ‘yay!’ in one syllable.
8:50 is it weird if they don’t get a standing ovation after a song called “Stand Up”? I think I saw people standing as they clapped. Nevermind. Commercial break.
8:48 white flags are waved all over the arena.
8:46 Jennifer writes Love on a flag and hands it to 2 girls from Joplin, MO. The girls wave the flag as Sugarland perform “Stand Up.”
8:45 next up is Scotty McCreery and Lauren Alaina introduce Sugarland, again, should be a great performance.
8:45 actually I’m not a gigantic fan of their music, but I like them and I’m glad they won. They thank Roman White, the video director.
8:44 and the buckle goes to… Lady Antebellum. Awesome!
8:42 LBB goes on a rant about how to be a country star. She’s awesome. They announce the nominees for Group Video of the Year.
8:41 Ricky Schroder and Laura Bell Bundy take the stage next to which LBB says he’s a great kisser.
8:35 ZBB, probably my favorite band right now, doesn’t disappoint. Commercial break as The JaneDear Girls sing one of their songs, “Shotgun Girl.”
8:33 their set looks like a comic strip of an ocean, with the band appearing to play on top of the water.
8:32 he introduces Zac Brown Band, guaranteed to put on a good performance.
8:31 the show returns with Kid Rock saying “that’s right Detroit.” Okkkkk…..
8:30 between cicadas and camel crickets, I must say I’m not that hungry anymore.
8:29 I still haven’t eaten dessert.
8:25 Dale Earnhardt, Jr commercial for Nationwide. Grrrrrrrr. Jimmie Johnson is gonna win it all!
8:24 I love that song “Picture”. Wait, it was called “Collide”? Commercial break as Hunter Hayes plays and sings. I actually kinda like this performance.
8:23 they dance a little… the music stops… Kid Rocks tells the band to keep playing. They oblige and he and Sheryl keep dancing.
8:22 I might throw away my Lance Armstrong bracelet. What a dweeb for mistreating Sheryl.
8:19 Sugarland introduces the next performers, Kid Rock and Sheryl Crow that perform “Picture (the 2011 version)”… oh it’s called “Collide.”
8:19 Miranda’s not there, she’s either out on tour or still honeymooning with Blake Shelton.
8:18 and the buckle goes to… Miranda Lambert for The House That Built Me.
8:17 they introduce the nominees for Female Video of the Year.
8:16 the show returns with Jason Aldean and Kristin Chenoweth. She comments that he’s a verrrry handsome man. Something else about his blue or green eyes, and her short height.
8:13 I found my dog. She’s got a weird cough going on right now. Cecadas? probably. I don’t know why she eats them… uncooked.
8:09 Kid Rock has a slight wardrobe change. He introduces Colt Ford who takes us into a commercial break.
8:09 they each speak. Nice work trio!
8:08 and the buckle goes to… The Band Perry. Let’s see if she lets her brothers speak.
8:06 performance finishes with Big & Rich saying “the boys are back in town!” Luke Bryan takes the stage to present the next award, it’s for Breakthrough Video of the Year.
8:05 something about fake id’s, money, oh and Gretchen Wilson makes an appearance. Be on the lookout for Lil John.
8:03 their first performance together on tv in 3 years sounds a lot like Roy Orbison.
8:02 everyone’s (including you Merilee) favorite woman, Mary Steenburgen who introduces Big & Rich.
7:59 Ok, I didn’t want to go here, but if I see another denim diaper commercial that says “I poo in blue” I’m gonna…. I’m gonna…. ok, fine. I’ll just keep watching.
7:57 commercial break. ok, I really gotta find my dog.
7:53 Rascal Flatts perform “I Won’t Let Go.” I swear this song reminds me of another but I can’t put a finger on it. In my head I’m seeing Olympics, Whitney Houston, slow motion people running… can’t… quite… place…. it… but I want to go outside and run.
7:52 Ron White and Justin Bieber take the stage, not to perform, but to introduce Rascal Flatts.
7:50 Kid Rock talks about CMT One Country and their contribution to the USO and soldiers all over.
7:47 the last 2 contestants on CMT’s Next Superstar take us into a commercial break. I need to go find my dog and get some dessert, not in that order.
7:46 ZBB accepts but no sign of Jimmy Buffett. He must be in Margaritaville. Afterall, it’s 5:00 somewhere.
7:45 and the buckle goes to… Jimmy Buffett and Zac Brown Band.
7:43 Hines Ward challenges Clay Matthews to a dance off, who defers to the after party. They introduce the nominees for Performance of the Year.
7:42 football music!!! Ahhh the Fall is coming soon. Maybe no NFL, but at least there’s college football. Go Seminoles!
7:42 fire and explosions as the song finishes.
7:40 I like Luke Bryan. I like the girls dancing too. The color black is in tonight.
7:38 Luke Bryan turned his hat backwards = gametime. He performs “Country Girl (Shake It For Me)”.
7:37 Melissa Peterman and Cheryl Hines talk about how great Nashville is. The cowboys that live here. Cheryl mentioned hand cuffs and lost Melissa, who is worried about her. They introduce Luke Bryan.
7:32 commercial break. Kia. Acuvue. Super 8 movie. Old Navy. Zegerid. Cotton. Huggies. PC computer. ChristianMingle.com. Taco Bell. Thank you for paying my salary, by the way.
7:31 confetti from the ceiling. The show isn’t over, though. Hmmm.
7:29 lyrically, not the best from The Band Perry, but hey, they’re doing well with their first full length performance at the CMT Awards. Kimberly takes to the piano, standing up Lady Gaga style.
7:27 The Band Perry start their song “You Lie” with a quick line from Rihanna’s “Love the Way You Lie.” Nice!
7:27 Paramore (I thought they broke up?) introduce The Band Perry.
7:26 Justin with his backwards hat, speaks first. He is honored to be there. he thanks his Mom, his family, and Rascal Flatts. He lets them talk. They thank Justin, the record label, William Morris, etc. Oh and they said thanks to God. Joe Don said they have Bieber fever.
7:25 the winner is… Justin Bieber and Rascal Flatts for “That Should Be Me.”
7:23 Martina McBride and lead singer of Train Patrick Monohan introduce the nominees for Collaborative Video of the Year.
7:22 the final nominees for video of the year are announced, Jason Aldean, Kenny Chesney, Miranda Lambert, Sugarland, Taylor Swift.
7:21 Kid Rock asks an audience member to take their shirt off. A sign he’s had his first drink? We’ll see.
7:16:30 me finding the mute button. If I see another Olive Garden telling me I’m their family, I’m gonna go there and order something. But I won’t be happy about it.
7:16 Thompson Square perform a shortened version of “Are You Gonna Kiss Me or Not.” Is it weird for them to perform after they just lost the previous award? Anyway, commercial break now.
7:14 Jennifer says this is the most fun awards show. They both thank the fans. Thanks to Declan Whitebloom, video director. Fans cheer and the duo walk off stage as Kid Rock introduces the Nationwide Insurance Stage.
7:13 Best Duo Video of the Year goes to: Sugarland. Good! All the nominees were good. Jennifer Nettles and Kristian Bush are cool people.
7:11 John Rich and Gary Busey and the winner of the Indy 500 are bantering back and forth now.
7:10 Gotta give credit to artists like Toby Keith (and Tim McGraw) who have a tons of fans and can perform without playing an instrument. Oh, and Ludacris was clapping in the audience.
7:09 if Toby has a girl bust up on stage pretending she’s a crazy fan then starts dancing, I’m shutting my tv off!
7:08 Toby Keith begins his performance of his brand new song: “Made In America.”
7:07 Wynona eyes Kid Rocks pants because they are redder than her hair.
7:06 Wynona and her ultra red hair belt out some lines, then Kid Rock interrupts her back, he’s wearing an outfit he probably found in the Country Music Hall of Fame. They finish the song as a duet.
7:05 Wynona Judd steps in and stops Kid Rock in his performance of “I’m A Cowboy”.
7:03 they stop and pick up Kid Rock. He enters the Bridgestone Arena where he’ll be hosting the CMT Awards.
7:02 guest appearances from Ron White, Donald Trump and some “good-looking” gas attendant, who calls them Cougars.
7:00 Taylor Swift opens the show by breaking up with someone on the phone. She calls on Shania Twain for help. Thelma & Louise sequence!
6:59 Katie Cook wrapped up her interview with Keith Urban and Nicole Kidman. Evan Farmer joined her and introduced the show…
How many songs can you identify? The first hint is that there are fifty songs listed, and each song lyric connects to the next through one or more overlapping words. Good luck! (you can look at the key words listed on this post for some help!)
I miss those blue eyes. How you kiss me at night, I miss the way we sleeps tonight. Aweemba wop, aweemba wop, a weemba wopbobaloobop a wop bam boom shake, shake, shake the room. She was struck down, it was her doom. Annie, are you ok? So, Annie are you still mine? I need your love. Godspeed your love to me, wanna talk about I, wanna talk about number one, oh my me my, what I think, what I like, what I know, what I want, what I see, by the dawn’s early light? What so proudly we hailed at the cross, at the cross where I first saw the light, and the burden of my heart breaks, no, it don’t break even if he promised me the world. Just remember I’m forever your girl you know it’s true. Ooo ooo oooo, I love you every step of the way and I will always love you so, promise I’ll never let you go, in the still of the night. In the still of the Britney song was on, and the Britney song was on, and the Britney song was on a white, sandy beach of Hawai’i. The sound of the ocean soothes my name and it’s probably ’cause you think you’re cooler than me burn, but that’s alright because I like the way it hurts, I like the end. And you could have it all, my empire of dirt. I will let you down, I will make you wanna be happy for the rest of your life, never make a pretty woman your wife. Take it on the run, baby. If that’s the way you want it, baby, then I don’t want you around ’cause you know where I’ll be found, when I come around. And when you smile that smile the whole world turns upside down. Whenever you come around the corner when she comes. She’ll be coming around the corner. That’s me in the spotlight losing my song. It is my song. Now I live every day like there will never be a last one till they’re gone, like Frank Sinatra. Like Elvis and his mom. Like Al Pacino’s cash, nothing lasts in this life, back to reality. Back to life, back to me, will you? Baby, just come to my window, crawl inside, wait by the light of the moon, you saw me standing alone, without a dream in my heart for the first time, and I was like baby, baby, baby. Oh, baby you, you got what I need. But you say he’s just a friend. But you say I only hear what I want to: I don’t listen hard, don’t pay attention to the distance that you’re running down a dream that never would come from, rain is a good thing. Rain makes corn, corn makes whiskey. Whiskey makes my girl. Talking ’bout my girl. My chick bad, my chick hood. My chick do stuff that yo’ chick wish she could be the one. He’s lightning. Spark’s are flyin’. Everywhere I go he’s always on my mind. You were always on my minds. And we can’t build our dreams on suspicious minds eye, I see your face, you smile as you show me grace. In my woody I would take you everywhere I go. So I say from me to you, I will make your dreams come true. Do you still love me tomorrow? Tonight with words unspoken, you said I’m the only one life, but we’re not the same. We get to carry each other. Carrying your love with me. West Virginia down to Tennessee. Take me to another place. Take me to another land, this land is my land, from California, to the New York Islands in the stream, that is what we are. No one in between, how can we be wrong? Sail away with me, to be on the ground. Your head is there to move your around. So stand.